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Our process

A transparent process with clear stages.

We set up the work so that at every step you understand what is happening and what comes next.

Below are the main stages and principles behind our work.

How It Works

How We Bring You Closer to the Music

We Find the Story

Our team scouts gigs, listens to unsolicited demos, and monitors the Madrid scene daily to spot what's genuinely worth your attention.

We Do the Work

Whether it's a 3-hour interview session or a week spent dissecting an album, we invest real time before we publish anything.

We Write It Straight

No advertiser influence. No label handouts. Our editorial line is independent — what you read is exactly what we think.

You Discover Something New

Every piece we publish is designed to leave you with a new artist in your library, a ticket in your basket, or a fresh perspective on a record you already love.

History

How we grew

01

We Find the Story

Our team scouts gigs, listens to unsolicited demos, and monitors the Madrid scene daily to spot what's genuinely worth your attention.

02

We Do the Work

Whether it's a 3-hour interview session or a week spent dissecting an album, we invest real time before we publish anything.

03

We Write It Straight

No advertiser influence. No label handouts. Our editorial line is independent — what you read is exactly what we think.

04

You Discover Something New

Every piece we publish is designed to leave you with a new artist in your library, a ticket in your basket, or a fresh perspective on a record you already love.

FAQ

Got Questions? We've Got Answers.

Everything you need to know about Arteriamusic and how to be part of it.

Absolutely. We have an open submissions form on our contact page. We listen to everything — though we can't guarantee a review for every submission, we read every email and listen to every link.

No. We have no financial ties to labels, management companies, or promoters. Every review and feature is editorially independent. We occasionally accept advertising, but advertisers have zero influence over our editorial content.

We publish at least four pieces per week — typically two reviews, one interview, and one live report or feature. During festival season that number goes up significantly.

We occasionally bring on new contributors. If you're based in or around Madrid, have a genuine passion for music journalism, and can write with personality and depth, send us three writing samples via our contact page.

Yes — and we're proud of it. We cover flamenco, jazz, metal, ambient, hip-hop, and everything in between. Great music doesn't belong to one genre, and neither do we.

Contact

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